Also from Zeitgeist Film comes the suspense horror-thriller ”Tomb”, an English language shocker about two girls captured in a labyrinthic duct system under a mortuary where an insane serial killer is hunting them…

Søren’s current work-in-progress feature film scoring is a drama-comedy score for a bittersweet story with a theme seen more than once in movies. A modern take on the classic Danish 1960es comedy ”Støvsuger-banden” (The Vacuum-cleaner Gang), ”Det grå Guld” (The Grey Gold) tells the tale of three pensioners on early retirement who feel somewhat left over with too little to do – so they decide to rob banks!
Scheduled premiere: Fall 2010.
From Zeitgeist Film and director Shaky Gonzalez (”Angel of the Night”)

With primary shooting starting on 31 May 2010, Søren is now slated to score a rousing family adventure comedy from producer Michael Obel and director Martin Miehe-Renard. This movie updates a popular series of films (My Sister’s Kids) familiar to two generations of Danes and Scandinavians – about the uncle in the family who is a professor of child psychology but has no clue whatsoever how to handle children in real life!
Opening date: late 2010.

Søren Hyldgaard has signed a representation and publishing agreement with the international MusicSales Group. Represented by Edition Wilhelm Hansen, Music Sales’ Scandinavian branch, Søren’s work is expected to get a much wider distribution and recognition throughout the world. Apart from the film scoring aspect of Søren’s creations, WH and MS are currently preparing the publishing of a new Guitar Concerto in three movements and a symphonic suite with narration based on Søren’s first feature film score for ”Ørnens Øje” (Eye of the Eagle). The orchestral suite freshly carries on a much-neglected tradition of works like Prokofiev’s ”Peter and the Wolf” and Britten’s ”Young Person’s Guide to the Orchestra”.

Søren recently completed the scoring of his first US feature film. Preliminary Sundance Festival reviews hailed “RED” as an accomplished “neo-western” drama, and also favorably pointed out Hyldgaard’s aptly Americana-styled “Low key score which emphasizes Ludlow’s state of mind”. (more…)